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Areas covered embody; womenswear and menswear design, research skills, design improvement, vary building, sample cutting – traditional and experimental, skilled manufacturing methods, knitwear design, ‘dwell’ projects with industry, fashion illustration and presentation techniques, CAD Design, lat drawing, pattern prediction, material exploration, preparation for business and design historical past.

Her work has exhibited internationally, together with The Future is Female at Dellasposa (London), the touring solo exhibition Self-Related organised by St. Mary’s University Art Gallery (Halifax, Canada), The Painting Venture by Galerie de L’UQAM (Montreal) and exhibitions at Tianjin Academy of High-quality Arts (China), Art Gallery of Guelph (Canada), Museu de Arte de Joinville (Brazil), Gerald Moore Gallery (UK), and Grimsby Public Artwork Gallery (Canada).

Initiatives will give attention to growing analysis and inquiry skills in relation to fashion and design and will embrace features of drawing, two and three dimensional visualisation, two and three dimensional garment experimentation, introduction to supplies and fabrication, photographic and presentation methods and conventions; the beginnings of designing and making for particular fashion contexts.

In her large-ranging dialogue of fiction, poetry, artwork, and fashion, Burstein sets up the parameters of what she calls chilly modernism.” According to Burstein, chilly modernism operates on the premise that there is a world in which the thoughts does not exist, let alone matter”; it runs counter to the tropical bodies” of Virginia Woolf and D. H. Lawrence.